The Revitalization of the Tobacco Factor——Benjakitti Forest Park

I don’t remember which gate I used to enter the park, but I recall a security guard sleeping in a chair under a tree near the entrance. The weather was incredibly oppressive, so I sought out a stone bench to rest on. A group of crows was flying around nearby. I noticed white spots on the ground, fearing they might be bird droppings, and decided it was better to change my spot. During my trip, every time I returned to the hotel, I hoped for a heavy rain at night, hoping it would make the next day more pleasant. At least the air wouldn’t be so humid, and the photos I took would look clearer. However, I didn’t experience a single rainfall, despite the weather forecast promising rain each day. This made my photos increasingly gray. Perhaps due to the constant sun exposure, some of the vegetation looked rather wilted, with many plants showing signs of sunburn. Generally, not many people would be wandering around the outdoor park before 4 PM

The aerial walkways within the park interconnect various segmented areas, strengthening connections with surrounding urban communities. This reduces human intrusion and disturbance to nature while also adding spatial dimensions, enhancing the experiential pleasure.

During weekends, the park tends to attract more people who sit, lie down, and appear extremely relaxed. There’s no pretense of socialite elegance. Different states of behavior naturally segregate individuals, scattered across the lawn. It evokes memories of《A Sunday Afternoon on the Ile de la Grande Jatte》.However, the scene here carries a sense of dynamic stillness. Perhaps the overall environment here moves at a slower pace, much like driving in Bangkok (excluding motorcycles); no matter how congested the roads, I’ve hardly ever heard a honk.

I’m not sure if the trees are still alive, but I really like it

Some factories have been transformed into sports venues, further enhancing the connection between the park and the surrounding community. This has improved the residents’ quality of life.



山下美术馆——回归建造的本质

《山下美术馆》是我给这组照片取的名字(哈哈哈哈哈),照片里这一大块白色的“建筑”,其实是村民自己搭建的大棚,里面种的杨梅。不知道当时设计搭建这个大棚的人,是如何考虑的。但他估计没有想到,这片在山坡的大棚,会引起我身边好多建筑学朋友的好奇。我们说,设计要向自然学习,向民间学习。这么一看还真是这么回事。简洁、纯粹,一切都那么自然而然,就像没发生过一样。


“The art museum at the foot of the mountain”is the name I gave to this group of photos , The large white “building” in the photo, It’s actually a greenhouse built by the villagers themselves, where they grow bayberries. I don’t know how the person who designed and built this greenhouse thought about it. But he probably didn’t expect that this greenhouse on the hillside, It would arouse the curiosity of many of my architectural friends around me. We say that design should learn from nature and from folk. It looks like it’s really true. Simple, pure, everything is so natural, as if nothing had happened.


厚土载厚德,与丛林共生

建筑位于塔山公园山脚下,由迹·建筑的华黎老师设计。

这里原本是一处采石场,因采石而生成的巨大岩壁,

与周边的刺槐树在冬季时形成了一片荒芜。

为保留原始的地貌与场所感,

建筑师将建筑的形态依附于现场的自然元素。

以最小的限度介入环境之中。尊重在场的一石一树。

利用场地的高差,将屋面与平台相结合。

如果说,种一棵树最好的时间是在10年前,

那么在这里,经过近10年的时间洗礼,

建筑已经与环境完全融为一体。

刺槐树自由穿梭生长在建筑中,相互依附,共同见证。


这是华黎老师在塔山公园的另一个作品,

位于塔山公园半山上的一片森林中。

同样为了保护现场的树,以最小的限度介入其中。

建筑形体分叉为3个空间分支,同时3个分支分别指向城市3个景观

——刘公岛、海港、环翠楼。

部分嵌入山体的建筑,在视线上与城市产生了互动。

(让我联想到了华黎老师在三里屯的甜品店,以及鸡鸣岛崖顶咖啡的观景手法)